The article discusses the numerous films featuring or inspired by Pope Francis, exploring how his papacy translated into cinematic representations. It notes the contrast between the fictional portrayal of a reformer in the film "Conclave" and the real-life Pope Francis, emphasizing his focus on the marginalized and his controversial yet widely appealing stances.
The article highlights various films depicting Francis, ranging from documentaries like "Francis: The Pope From the New World" produced by the Knights of Columbus to biographical dramas like "Francis: Pray for Me" and "Call Me Francis." These films cater to different audiences, showcasing both the devout and a broader public interested in his social and cultural impact.
A key argument is that Francis's appeal extends beyond religious audiences, making him a compelling cinematic figure. His engagement with significant social issues allowed filmmakers to portray him not solely as a religious leader but also as a character with broader relevance. The article suggests that these films offer a way to understand Francis's legacy and the reasons for his widespread appeal.
Watching Edward Berger’s hit Vatican thriller “Conclave” last year, I found it hard not to think of Pope Francis. The film is fictional, based on Robert Harris’s 2016 novel, published three years into Francis’s papacy. But one key character in the film is a Mexican archbishop working in Kabul, a reformer calling on the church to focus on those marginalized and historically excluded by the institution.
Plenty separated the “Conclave” character from the sitting pope, who died on Monday, the day after Easter. But such a simple yet eloquent onscreen activist could recall only Francis, the first Latin American cleric to assume the papacy. He drew both admiration and controversy, based largely on his concern for the poor, immigrants and refugees; his calls for environmental stewardship; and his efforts on behalf of gay and lesbian Catholics. That work inflamed more conservative wings of the church while endearing him to many, Catholic or not, who saw a new way forward in his life and teachings.
And that also made the pope an unlikely movie star. Francis may have been the most cinematic pope, with fictional and documentary representations of him proliferating during his 12-year papacy. Some of those films were made by and for Catholics, like the 2013 documentary “Francis: The Pope From the New World,” produced by the Knights of Columbus; Beda Docampo Feijóo’s 2015 “Francis: Pray for Me,” a biographical drama about his pre-papal days; and Daniele Luchetti’s 2015 “Chiamatemi Francesco,” or “Call Me Francis,” which concentrated on his work as “the People’s Pope.”
But many of these movies weren’t really aimed at an audience of the devout. Instead, they show the source of Francis’s wider appeal. His attention to issues of social and cultural import gave filmmakers a way to approach him as a screen character, not just a religious leader. Here are six such films, which help frame Francis’s legacy and illuminate why he made such an appealing subject.
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