Regen X: the £3 billion making of King’s Cross


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King's Cross Regeneration: A Success Story

The transformation of King's Cross from a post-industrial wasteland to a vibrant, mixed-use neighborhood is a testament to successful urban regeneration. The £3 billion project, spanning 67 acres, demonstrates a blueprint for creating thriving communities.

Mixed-Use Development: The Key to Success

The integration of various uses, including residential, commercial, educational (Central Saint Martins), and cultural spaces, is central to King's Cross's success. This intense mix ensures activity throughout the day and attracts diverse populations, creating a lively atmosphere.

  • Almost 1,750 homes
  • Around 100 shops and restaurants
  • 4.25 million sq ft of offices
  • Multiple parks, squares, schools, leisure facilities, and cultural institutions

This diversity attracted tech companies (Google, Meta) and record labels, further enhancing the area's appeal.

Creating a Sense of Place: Public Spaces and Design

The project prioritizes public spaces, with 40% of the site dedicated to public realm. Granary Square, with its popular fountain, serves as a central gathering point. Other notable spaces include Coal Drops Yard, an amphitheater, and various parks and gardens. The design emphasizes a blend of intimate and expansive spaces, creating a dynamic environment.

  • Careful planning of streets and pathways
  • Integration with existing neighborhoods
  • Use of landmarks and signage to aid navigation

Architectural Approach: Diversity and Respect for History

The project incorporates over 20 historic buildings, complementing the 56 newly built structures designed by diverse architectural firms. The focus was on creating variety and a natural feel, avoiding a monolithic look.

Lessons Learned: Planning, Funding, and Patience

Six years of community consultation and a flexible masterplan were key to successful planning. The project benefited from a mix of private funding and public support, including infrastructure investment. Long-term patient capital played a crucial role, demonstrating the importance of prioritizing quality placemaking over short-term profit maximization.

  • Need for master developers and long-term investment
  • Importance of public-private partnerships
  • Incentivizing long-term land ownership for quality development

The King's Cross regeneration model offers valuable lessons for future urban development projects, highlighting the significance of mixed-use planning, thoughtful design of public spaces, and the crucial role of long-term investment.

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In 1987 Pet Shop Boys released the song King’s Cross, which featured some gloomy lyrics: “Only last night I found myself lost / By the station called King’s Cross / Dead and wounded on either side / You know it’s only a matter of time.”

The song evoked the north London neighbourhood as it was in the 1980s: a seedy post-industrial wasteland associated with prostitution and drugs. In Victorian times, trains delivered coal, grain and fruit and vegetables to the goods yard behind the railway station, but as freight transit changed in the 20th century, the area, which was already poor, fell into decline. The site became a dead zone of derelict warehouses, sheds and gasholders.

So the news that the King’s Cross regeneration scheme has been nominated for the Royal Institute of British Architecture’s 2024 Stirling prize marks a change of fortune for the area. Construction on the scheme started in 2008 and the 67-acre site has been buzzing for several years. The nomination came this year because the final phase of the masterplan was recently completed — the winner is announced on Wednesday.

Costing £3 billion, the King’s Cross scheme is widely regarded as a blueprint for successful regeneration. “People who live and work there are passionate about it,” Robert Evans, former partner at the scheme’s developer, Argent (now Related Argent), says. As the government enters into an era of mass housebuilding and new towns, they could learn a lot from studying King’s Cross. What is the secret of its success?

Granary Square, with Coal Drops Yard in the background

JOHN STURROCK

Mixed-use works miracles

To create a safe and healthy neighbourhood with a sense of place you need “street life”, as the urban theorist Jane Jacobs wrote in her 1961 book The Death and Life of Great American Cities. Street life comes from mixing together buildings and spaces with different uses, rather than zoning areas according to business or residential.

The new King’s Cross has it all. It’s centred on Central Saint Martins art school, which occupies a Victorian warehouse and faces Granary Square, a public meeting place. The estate has almost 1,750 homes, about 100 shops and restaurants, 4.25 million sq ft of offices with capacity for 30,000 workers, ten parks, five squares, two primary schools, a leisure centre, a library, an art gallery, two cinemas, a museum and an Islamic centre.

This means King’s Cross is hopping at all times: weekdays, evenings, weekends. The decision to invite Central Saint Martins to occupy the central building — it opened in 2011 — was a crucial move. It introduced footfall (5,000 students and staff) and cultural credibility.

Tech companies (Google and Meta) and record companies (Universal and Sony Music) followed. Related Argent curates the shops, a mix of chains, boutiques and start-ups (“the best of the British high street and side street”).

Before the regeneration, the public had no reason to venture north of Regent’s Canal. “A system of routes was established to draw and invite people towards the north by bringing activities, which were never there and mixing those activities to such an extent that it’s not just a mixed-use development, it’s an intensely mixed-use development,” the architect Demetri Porphyrios, one of the master planners, says.

Children playing in Granary Square fountains

JOHN STURROCK

How do you create a sense of place?

It’s not the buildings that make King’s Cross, but the spaces in between them, according to the architect and master planner Bob Allies, a co-founder of Allies and Morrison.

Whereas most developers would cram sites with buildings, at King’s Cross 40 per cent of the site is public realm and the star of the show is Granary Square, where a fountain with 1,080 jets attracts children in summer. It’s so popular with families that they put down beach towels at 7.30am. “It’s like an inner-city beach,” Morwenna Hall, the executive director at Related Argent, says.

Other public spaces include Coal Drops Yard, which includes shops, boutiques and markets; an amphitheatre overlooking Regent’s Canal; a park built underneath a Victorian gasholder; Bagley Walk, which is an elevated path by the canal, and Jellicoe Park, which is an Islamic garden. Four hundred trees were planted.

The London Canal Museum’s narrow boat Long Tom makes progress along Regent’s Canal next to Bagley Walk

JOHN STURROCK

“When you go to cities that you like, you like those cities because of the public open spaces,” Porphyrios says. “They are what remains in the memory of the visitor.”

But too much open space wouldn’t work either. “It’s about variety — trying to get the yin and yang of the city,” Evans says. “The tight street that opens into a big space: serendipity and surprise. That’s what people delight in.”

“Open spaces don’t feel open unless you have spaces that feel more intimate,” Hall adds. Indeed, “the station buildings were placed close together to create an intensity and atmosphere you wouldn’t find in a business park,” Allies says.

People watching the Paris Paralympics on a big screen by Regent’s Canal

JOHN STURROCK

There are 20 new streets and some are designed as continuations of old streets in surrounding neighbourhoods, so the estate doesn’t feel cut off from the city as is the case at the fortress-like Barbican. The Boulevard, one of the widest pedestrian streets in London, was designed to direct people arriving at King’s Cross station to Granary Square, and two new bridges were built over the canal.

To prevent people from getting lost, the planners provided a trail of what Hall calls “breadcrumbs”: landmarks, vantage points and signs. As a result of these touches, the new scheme feels like it’s always been there — part of the city, rather than a gated community.

Coal Drops Yard

JOHN STURROCK

What’s so special about the architecture?

The site has more than 20 historical buildings, which provided instant character. For the 56 new buildings, the developers hired 30 architects to create a sense of variety, so that it felt like a natural, evolving city rather than a monolithic development.

The planners didn’t impose design codes but asked the architects to respect neighbouring buildings and refrain from showing off. The only rules were in the height and scale of the buildings — they wanted short city blocks to create a “human city”.

An architect’s plan of the King’s Cross redevelopment

ALLIES AND MORRISON ARCHITECTS

What can planners learn?

Planning took six years of consultation with residents and Camden council. Argent was granted planning permission in 2006 with a masterplan that was “flexible and resilient”, rather than giving specific uses and sizes for each building at the outset. This approach allowed the developer to adapt to changing economic conditions and demand, thus preventing the difficulties that Canary Wharf now faces with its glut of offices.

Although a one-bedroom flat in King’s Cross can now cost more than £800,000, 40 per cent of the homes on the site are affordable housing, better than many London schemes.

How can we create more King’s Crosses?

Related Argent says the project was privately funded, including the £500 million in infrastructure, although the UK Homes and Communities Agency provided £42 million for social housing. The government also ended up funding much of High Speed 1, the rail link to St Pancras station that kick-started the regeneration. The think tank Centre for Cities estimates the government spent £800 million overhauling King’s Cross station.

To create more King’s Crosses, we need more master developers (who do infrastructure-led developments), Evans says. “And we need the state in some way. We need new-town corporations. We did these things better when we built new towns through a public-sector backed vehicle. And we need to encourage more private capital to do it.”

The key to the success of King’s Cross is the “patient capital” model (investors who park their money for the long haul), according to Hall. King’s Cross is backed by the pension fund AustralianSuper and clients of the investment manager Federated Hermes.

Jellicoe Gardens

JOHN STURROCK

“We’ve made a lot of decisions that financially do not make sense if you look at them over a two to five-year period,” Hall says. “Our business model is to deliver the public realm as early as we can. It’s important to create a sense of place. You have to find investors who are going to be patient and wait for those returns. Institutional capital are looking for long-term income to support their pension funds and we get a better return from placemaking.”

The problem with the development model in place now is that housebuilders have become land speculators, says Ben Bolgar, senior director of the King’s Foundation, which helped build Poundbury. “It’s a short-term investment cycle — quick in and out — so it produces rubbish. The returns for King’s Cross, Poundbury [in Dorset] and the great estates are over the longer term, so it makes sense to invest in the quality of the place from workspace to public realm.”

An aerial view of the redeveloped King’s Cross

JOHN STURROCK

To encourage long-term, patient capital, we need to provide tax incentives for landowners to stick around as master developers and stewards while development takes place — to make holding land as attractive as selling it at the beginning, according to Bolgar. If you sell up front, you lose quality control and developers will sacrifice the public realm to make quick cash. If they hold on and produce a quality development, land values and rents can attract a premium.

Hall says: “Mixed-use is important for the vibrancy of a place. It’s where people want to be. Businesses want to be in a place where they can secure the best talent. Talent wants to be in a place where things are going on. That mixture enables new places to thrive and contribute to the wider economy.”

Watch: the regeneration of King’s Cross

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